A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
1964
2011
2014
1965
1978
1986
1971
2019
—
2022
1999
2001
1992
2002
1993
1997
1962