Good Will Hunting

Will Hunting, is a working class 20 year old mathematical genius, and yet chooses to shun a university education, preferring instead to be a janitor at Harvard university.

At a social level he is headstrong, arrogant, likes getting into fights as well as ending up in police cells for his regular anti-social behaviour.

Despite having friends, they are not shining beacons leading him into a better light. He is happy with his lot, shuns commitment and his best form of defence is attack both physically and verbally against those who want to impose their will on him for better or worse.

At the same university a professor of mathematics throws out a complex mathematical challenge to his students, asking them to complete the formula on a blackboard in the hall outside of his classroom. Will is cleaning floors one morning, comes across the blackboard and within seconds he has completed the formula before carrying on his duties while the professor wonders who it was!

It turns out Will was abused in his youth, and has moved on from one foster family to the next, but none of them were seemingly any better, and never reached out to his needs leaving him feeling bitter and angry.

A psychology professor (Robin Williams), spends various sessions with Will, and slowly, ever so slowly, Will begins to open up his darker side until both Will and the professor find a bond.

Make no mistake the premise is original but predictable. However, the acting performances are terrific, especially from Damon, whom I never really had much time for up until this film.

I was also impressed by the performance of Will's girlfriend, played by Minnie Driver. She soon fell in love with him, only to find that he never reciprocated and pushed her away just as had done to other people who tried to get too close to him in the past.

It is very much a feel-good film with a nice satisfying ending. It pulls at the heartstrings sometimes, but you just know everything will work out right in the end.

So great!

'Good Will Hunting' is a film I had heard many a great thing about but had never actually seen it so didn't know anything about the plot - so much so that I genuinely thought it was about the good will of hunting or something... and certainly not about a character named Will Hunting! The poster makes it look like a film of that sort, in my defence.

I also didn't realise, aside from the lead two, that the cast list was so stacked until the credits came up at the start. The names didn't let me down either, as the acting is superb across the board. Matt Damon and Robin Williams are truly outstanding together, I already rate them from other productions so I'm glad I can add another cracker to their respective filmographies.

Even away from Messrs Damon and Williams, you've got very good displays from the likes of Stellan Skarsgård, Minnie Driver (emotionally, particularly, excellent) and Ben Affleck. Pretty impressive that it was written by both Affleck and Damon too!

The plot is great, the way the friendship builds between Will (Damon) and Sean (Williams) is so beautifully done. Both characters are very interesting, even if I didn't buy the genius of Will at all at first but I quickly let that go as the film does such a grand job at crafting everything together around it.

In short, it's ace! Glad I finally checked it out.

"Will" (Matt Damon) is a rudderless character who works as a caretaker. He's an attitudinal pain in the neck whom, aside from his best friend "Chuckie" (Ben Affleck), is pretty much shunned by everyone. "Professor Lambeau" (Stellan Skarsgård) spots some potential in this wayward lad, especially when he realises that he has an amazing ability to solve mathematical problems. To that end he sends him to see the eccentric psychologist "Sean" (Robin Williams) who proves remarkably adept at cutting down the young man's defences and at beginning to rebuild the character of the man in a more positive and life-affirming fashion. The film combines some excellent performances from all four men, but especially a bang on-form Williams as the penetrative, but flawed, route to salvation for an equally flawed and angry almost younger version of himself in the genius "Will". Damon is entirely convincing as his temper and his prodigious nature are juggled adeptly and aided by a powerful script that allows the actors to take and keep centre stage as the potency of the plot becomes more and more focussed, we are presented here with a ground-breaking and thought-provoking look at what makes a great teacher as well as what makes a human being tick, what makes one happy and fulfilled - and what makes one the opposite! For my money, Gus Van Sant's finest interpretative work and well worth watching a few times, for more detail emerges to appreciate each time you see it.

**A very good film, but with some flaws and problems that deserve attention.**

This film is about a boy from Boston, who comes from very poor backgrounds, but who has a gift for mathematics, easily solving theorems and advanced problems that leave Harvard professors unanswered. He is discovered after solving one, at night and without telling anyone, and one of the professors at the university decides to help him be someone and make use of his gift. The problem is that he doesn't want to, he's not able to trust anyone, and he's seriously stuck with justice. Therefore, he will recruit an irreverent psychiatrist to try to help the boy.

The film's premise is very good, and the story has merits that we cannot ignore or minimize. It's one of those delicious movies to watch, that leaves us without feeling the time that passes. We really know that guy is not a bad person, but it's not easy to like the character due to his options and his bad social attitude. However, what bothered me the most was the construction of Robin Williams' character and his whole way of acting and accompanying that patient. I think anyone who has ever had the need to see a psychiatrist knows that they have strict rules about what they can and cannot do, and Williams' character breaks a good number of them.

And this leads us to talk about actors. I really enjoyed Williams' work, but he is a long way from the best that the actor has given us. Matt Damon also did a good job, perhaps one of the best of his career, and one that opened more doors for him in his professional life. Stellan Skarsgard also intelligently took advantage of the opportunity to impose himself on the American cinematic scene, with a job well done and of great merit. Minnie Driver also did an interesting job, perhaps even more so than Ben Affleck, whose character doesn't have as much visibility or relevance.

Technically, the film has many merits, starting with the excellent cinematography, a good set of sets and interesting costumes. The effects are understated, but they work quite well, and the soundtrack also does a pretty good job. It is not, however, a film that stands out for its technical aspects, nor could it be. The important thing in this film is the story it brings us and the work of the cast.

Psychological drama well in the beginning of Ben Aflleck and Matt Damon in their careers - they star (with Matt in the role of the protagonist) and wrote the script together. The director was Gus Van Sant (Drugstore Cowboy).

The movie tells a story about a irish-descendant boy in Boston that works as janitor in a mathematics faculty, and it is a self-taught genius, with a troubled past and present - some mathematical riddles are left by the head of the chair in the faculty (Skarsgård) and mysteriously solved by night. Catching up with Matt Damon character Will he can be out of parole if he gets a job and consult with a psychiatrist what shows to be a tid bit tough thing.

The film received positive reviews from critics and grossed over $225 million during its theatrical run against a $10 million budget, and received nominations in nine categories, including Best Picture and Best Director, and won in two: Best Supporting Actor for Williams and Best Original Screenplay for Affleck and Damon. Nothing bad, at all for someone being just out of Harvard University. Anther curiosity: character Skylar in the movie have the same name and background of Matt Damon's girlfriend back then.

Robin Williams acts as the psychiatrist that could connect with this troubled boy, in a solid role - speaking of solid role it was nice to see Matt Damon out of some action movie in really nice drama scenes. Another actor that shows up is Stellan Skarsgård, yes the father of the four sons the most known being Bill (of "It").

Nice heartwarming moving movie thought the end with a solid script. I would scorre it a 8.0 out of 10.0 / B+. It is strange that I didn't even reminded this one back in 97, but then I remembered that that year I was in the 3rd year of Medicine so not much time to seeing movies I guess.

Gus Van Sant's _Good Will Hunting_ is a film that could have easily collapsed under the weight of its own ambitions: a genius janitor, a traumatized savant, a therapeutic breakthrough that changes everything. But it doesn't collapse. It works, and it works beautifully, because everyone involved understood that the story required restraint, intelligence, and performances grounded in something real. What Matt Damon and Ben Affleck achieved with their screenplay is remarkable, not just for two young actors writing their own breakout roles, but for the care they took to make the therapy at the film's center feel authentic. Van Sant's direction is nicely subdued, keeping the focus on the story rather than the technical flourishes, and the ensemble delivers across the board. This is a film about healing, and it earns every emotional beat.

Will Hunting (Damon) is a self-taught mathematical genius working as a janitor at MIT. When his talent is discovered by Professor Gerald Lambeau (Stellan Skarsgård), Will is given a choice: jail or therapy. Enter Sean Maguire (Robin Williams), a therapist still grieving his late wife, who becomes the only person capable of breaking through Will's defenses. The therapy sessions between them form the emotional core of the film, and they're grounded in recognizable techniques, moments that feel lived-in rather than manufactured for dramatic effect. Damon and Affleck clearly did their homework, crafting a relationship that respects the messiness of actual therapeutic work.

Robin Williams' performance here is excellent, a departure from the manic energy that defined so much of his career. He plays Sean with quiet authority and deep vulnerability, a man who has been broken by loss but refuses to let that break define him. There's no showboating, no reaching for laughs. Williams lets the silences do as much work as the words, and in the film's most famous scene he delivers a moment of such understated power that it becomes the hinge on which the entire story turns. This is Williams at his most restrained, and it's a reminder of how much depth he could bring when the role demanded it.

But Williams doesn't carry the film alone. Damon is equally strong, playing Will with a mix of arrogance and fear that makes his eventual vulnerability feel earned. Ben Affleck, as Will's best friend Chuckie, brings a loyalty and tenderness to the role that grounds the film's working-class Boston milieu. Stellan Skarsgård navigates the tricky role of Lambeau, a man whose genuine care for Will is complicated by his own ambitions. And Minnie Driver, as Skylar, gives Will someone worth opening up for. The ensemble is first-rate, and that's the key to why the film works so well. Everyone is operating at the same level of commitment and honesty.

The film's one weakness is Hollywood compression. Given the breadth of Will's issues (childhood abuse, abandonment, a bone-deep fear of intimacy), it's unlikely that any therapist, no matter how skilled, could accomplish what Sean does in the film's timeline. Breakthroughs of this magnitude take years, not months, and the screenplay elides that reality in favor of dramatic necessity. It's a small complaint in a film this well-executed, but it's the reason this falls just short of perfection.

Still, _Good Will Hunting_ remains a powerful film about what it takes to let someone in, and what we risk when we don't. Van Sant directs with intelligence and restraint, the script is smarter than it had any right to be, and the performances, Williams' especially, remind us that healing is possible, even if it's messier and slower than we'd like to believe.