

As her screen time in her son’s films is drastically reduced, Cindy starts to suspect Nathan no longer wants her in his movies—a rejection that brings her back to the insecurities of childhood, when she thought, “Why would anybody wanna watch me, or hear me, or see me?”

Hoping to make amends with his mother, Nathan visits his parents’ house upstate, where he pitches Cindy on a new creative project—one where she would be in control.