No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1977
1950
1972
1944
1975
1966
1967
1997
1979
1980
1953
1961
1924
1941
1955
1930
1940
