No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1961
1960
1968
1971
1950
1969
1970
1976
1963
1941
1964
1979
1990
1959
1977
1973
