No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1950
1965
1966
1920
1968
1975
1970
1990
1969
1978
1976
1971
1977
1912
1949
2003
