No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1953
1916
1956
1928
1993
1972
1970
1990
1999
1939
1927
1961
1962
1967
1936
1965
1943
