No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1917
1997
1927
1980
1933
1943
1948
1992
1986
1974
1981
1998
1999
1963
1987
1944
