No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1924
1930
1973
1929
1999
2000
1972
1974
1935
1963
1955
1982
1979
1958
1990
1952
