No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1935
1999
1966
1968
1978
1926
1982
1965
1913
1927
1928
1971
1943
1952
1953
1989
1997
1917
