No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1989
1997
1917
1927
1969
1974
1972
1987
1999
1924
1916
1944
1980
1966
1937
1957
