No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1950
1991
1958
1944
1983
1948
1980
1962
1976
1960
1965
1999
1945
1979
1963
1961
1953
1970
1967
