No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
2010
1954
1961
1963
1964
1949
1941
1944
1960
1927
1958
1971
1969
1970
1950
1967
1996
1968
1955
