No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1970
1973
1963
1948
1971
1990
1943
1951
1944
1945
1941
1940
1920
1987
1966
1974
2004
1996
