No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1965
1925
1945
1964
1956
1898
1953
1991
1941
1960
2004
1977
1944
—
1968
1987
1948
1970
1996
