No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1964
1984
1973
1969
1975
1960
1955
1961
1940
1963
1968
1950
1930
1959
1916
1997
1970
1967
